“This assortment of tracks takes a thin postpunk set up and carves out a desolate sound. There’s as much 60s folk as there is Young Marble Giants and it’s almost all stripped back and bare…”
“Played quiet, it’s a chilled introspection of fuzzed up Phil Spector and glossed 60s girl pop. Played loud it’s a crossbreed of Jesus & Mary Chain and MBV feedback with the feel of Slowdive thickened dreamscapes…”
“Following 2019’s singles ‘Smoke’ & ‘The Gallows’, with their delicate electronics and stop-motion jitter, comes the long worked-on debut EP. ‘Addict’ builds on those tracks and progresses, spinning outwards in cool new directions…”
“There’s enough cosmic glitter to convince Major Tom to break out his crash landing spandex, and more than enough sunshine buttery smoothness to ease out the bumps on the way…”
Citing Pixies as a reference is dangerous. Yes we recall their scratchy prowess over throwaway stripped surf and […]
“These are intimate songs of depression. Violent introspections, self-examinations, self-worth imposed and assumed…”
“Kopper’s recently released double A-side of ‘Fake It’ and ‘How Can You Be Sure?’ is a hard driven mass of exuberance…”
I’ve been looking for a way to address the one thing that has touched every aspect of life, […]
“I thought I knew what was coming; some internal angst and a dark retrospective on lifestyles and excessive consumption. But ‘No Peace’ is neater than that…”
“Part dark folk, part dream pop, part Portuguese western. Part dusty, part lush and all landscape….”
Rats on the Run 