“This is Pamela Sue Mann at her best. Wide-eyed and clean in the rubble. If the first listen snags you, the second will snatch, and the third drags you right along with her….”
Gothic
“Each track is a glut of industrial sounds, each song is a cold future grind. Kallalit makes music that strips EDM of superfluous glamour, and wraps it in gloss gothic shine…”
“In a debut EP that stands eight minutes long, every song cracks its whip at two minutes. That’s enough time to show off the want and the love to pick up on known grind-horror blueprints…”
“The communal gurn of a sweat-stunk back room, the heat and the steam of a DIY shoebox that’s packed tight with low light and writhe… This is all that’s imagined and conjured up during ‘Killadelica’s 42 minutes…”
“Hearing the switch between hardened and heart-broke, it surprises, draws in, pulls us close. We learn not to expect outright acts of defiance, but we glimpse at what goes on behind…”
“It’s a new set of ash-smothered sonics, an EP of remixes of songs never made, ideas stripped before ever seeing daylight. Spectrograph’s mini-album is caustic and lean with a roughshod apocalypse kick…”
“Between the bleak freakouts and moodboards, like a signature Vukovar trick, are the full-bodied gems of lost pop songs, lifted straight from a bootleg cassette…”
“It might not be as blunt or as brutal as those who excel in the hard games of powerplay, but it works as a seedy flick freakout; flirtatious, unnerving, and sultry…”
“‘Hollow’ is still as dystopian and bleak as anything ‘Part One’ delivered, but here the organics take over…”
“If this version hadn’t managed to own itself so completely, I’d miss the original’s weight. But with so much between them, with such different takes, it’s unfair to compare and contrast…”
