Beauty and compromise run deep through the veins that are stitched into each ebb and flow. Contorted and kept just a shade out of shape, free-flowing down straights and restricted at angles, I find myself pressed and pinched then released by the unnatural designs of the album’s ambitions.

Austin. Achingly hip and alarmingly cool. Coffee bean fetishists, thrift store hi-glam, nu-age craft ales in gleaming clean structures and retro set wide-eyed fresh faces.

Hot dog and burger bars tower their meats with all kinds of sides, only skyscrapers outside match their stature. Weed’s offered out by bar maids and waiters and I don’t feel young, pretty or thin.

Back home I had intent and purpose. I made shapes and sense of music and words and all time was divided, devoted. I made time to draw lines from without to within and direct them back out in new twists. People around me helped me build a home studio and they’d switch out the songs mine to ours.  Back home I made time to make something with all of my tools at my tips.

Here we move place to place with a speed and a greed that breeds barely no time to take in. We breathe in the air but don’t pick up the scents, time to reflect slim to none.

Nashville has an ego. Lights, signs and neons all big as that ego with history gone to it’s head. It’s been ‘Music City – USA’ since WSM AM radio cast out it’s shout over 38 states with weekly live shows and recordings. Broadcasts began in 1925, name was claimed 1950 set against rock and roll. ‘Birthplace of bluegrass’, ‘home of country music’, ‘songwriting capital of the world’; There’s plenty of others to pick from.

A full blood moon’s hanging thick over Rockies. Earlier on I saw dinosaur steps and bones, pressed into layers of once-flat beach sand that turned into mud that turned into rock that turned to upended slabs that jut out of the sides of sharp mountains. What was flat nearly upright. What was beach now a cliff. And everything round me got here out of chaos.

Now I’m sat between ridges and ranges and chaos is here in the house… It’s been in my ears and it’s been in car stereos and it’s given long journeys brief fever. Slumb Party’s ‘Happy Now’ is breakneck in pace and in place of a thrill is a pupil dilation from trying to make sense of each track; these things pass quicker than oncoming cars at a speed that I don’t want to print.