“Defiantly oddball, endearingly goofy, grin pleasingly off-kilter cute… Welcome to the world of Gus Englehorn, where the main and only question that bites your ass urgently is ‘who the New-York-Fuck is Gus Englehorn’?”
new album
“So let’s start ’22 with a cool blast from Mexico, where new wave and post punk and frosty electronics hit against blurred grooves of agro…”
“Gasoline, turpentine, hard times, and pulled triggers, every Bible belt trope gets thrown in. They get mixed up with drums that rank power over prowess and guitar tones that bleed out of speakers…”
“All the mood and the warning and fear, it’s still here, along with some new threads and tricks. The clarity suits, and because of it, every song feels more human than horror…”
“Scott’s gift for wordplay and heartfelt conveyance might have found new surroundings to move in, but the light boyish charm of his wistful romance, that’s as intact and on show as ever…”
“Between the bleak freakouts and moodboards, like a signature Vukovar trick, are the full-bodied gems of lost pop songs, lifted straight from a bootleg cassette…”
“There’s a surprising soft elegance to Bearcraft’s new album, a range of sounds unexpected from singles released that mixed coldwave with dark electronica…”
“Retro synth junkies and pastel schlock purists, welcome to your new neon dream wave…”
“Where 2019’s ‘Maladyne Cave’ leant towards progressive folk freakouts and whimsical indie, with bursts of cartoonish aggression, a year later their sound has been hardened…”
“Part dark folk, part dream pop, part Portuguese western. Part dusty, part lush and all landscape….”
Rats on the Run 