“From United Simesky Institutes and Fritch (the creative side of Rats on the Run), comes a brand new collaboration. And this is the new debut single. Freshly released to the world…”
Indie
“It’s dusty, calamitous, messy. It’s full of atonal pinches and squalor. Noise detracts from the tightness, manic vocals hide the quips, its immaturity masks all its know-how…”
“Defiantly oddball, endearingly goofy, grin pleasingly off-kilter cute… Welcome to the world of Gus Englehorn, where the main and only question that bites your ass urgently is ‘who the New-York-Fuck is Gus Englehorn’?”
“Somewhere between Low, the new ‘tronics of Scott Matthews and the reverb-soaked slow tones of Burial, there’s a neat place where ‘Overture’ settles. Like a lost scene from Under the Skin, it seeps in like some sonic osmosis…”
This is music direct to your ears. A light shone on uncovered gems. Here’s the very best of 2021.
It’s a playlist for pummel and pleasure. An hour of new music hand crafted and sculpted like a C86 mixtape for lovers…
“Tiny Dyno are the rarest of acts. They blend the black arts of immaculate pop with the warm glow of sugarspun indie…”
“There’s some cool coming out of Chicago. It’s abrasive, it’s messy, it verges on lo-fi, it’s cohesive by its lack of cohesion…”
“Whatever your take on disco punk Dada, maybe make sure you’re ready to change it. Trade your Hot Chips for cash, collect all Chk Chk Chks, and tune into Sex Pizzul weirdness…”
“There’s so much in the sonics and bones of ‘Believe’ that it’s hard to know just where start. It’s frustratingly clever, emphatically catchy, and just so damn easily accessible…”
Rats on the Run 