“Bass lines warble and wump with a ground level dirt, synth tones spin minimalist samples. Sounds of drum and bass and dubstep have been pinched and re-twisted into two minute measures…”
Music Reviews
This is spleen venting filth with a mean garage grind that ties punk up in white-knuckle knots…
“There’s so much in the sonics and bones of ‘Believe’ that it’s hard to know just where start. It’s frustratingly clever, emphatically catchy, and just so damn easily accessible…”
“It’s as phallic and sex-worn as Beelzebub’s hoof-stick and it’s soaked in a riff heavy glaze. Drag that sound with its glitter and leather and guts right on into the 21st century, and we have something like Midnight Devils…”
“Tin Woodman have gone and resurrected the synthesised camp scifi souls of Midnight Juggernauts, Bondage Fairies and The B52s, and produced this it-thing of a single…”
“As only essential shops remained open, and all non-essentials shut down, the places we met that were closed up for months took something else along with them; that life blood of human connection…”
“This is energy honed, owned and punked. This is New York junk trashed for the masses. It belongs in a sweatbox on hot summer eve in a downtown back avenue slam…”
“All the mood and the warning and fear, it’s still here, along with some new threads and tricks. The clarity suits, and because of it, every song feels more human than horror…”
“There’s the matured calm and chill of solo Ray Davies, the jangle of late Teenage Fanclub. All the twists and connections explain the not-shy nods in a song packed with Easter-egg aurals…”
“Last Wars have mixed up a cool chaos sound made of rasp and home brewed lo-fi synths. This is bedroom based punk for electro free-wheelers, all scratchy and rat-tailed and ragged…”
Rats on the Run 