“This is Pamela Sue Mann at her best. Wide-eyed and clean in the rubble. If the first listen snags you, the second will snatch, and the third drags you right along with her….”
Music Reviews
“Take synthwave and shoegaze, and that lush 80’s chorus of 4AD stalwarts, and the softened cool glint of Minaxi, then just go let the song slip away…”
“Out on Other Voices Records and all streaming services, with love from Russia, UK and Berlin, this is ‘We Lose Our Cool’. The music of Rats on the Run…”
“This track is a blast up of guttural sludge, rib-splitting hollers, and crueller-than-thou crunched up gut driven licks. It’s a filth guided grind of destruction…”
“Half synthwave, half chill, there’s meander and flow, but that doesn’t mean everything’s comfy. There are sombre and ominous hints and inflections that keep us from feeling too easy…”
“Bass lines warble and wump with a ground level dirt, synth tones spin minimalist samples. Sounds of drum and bass and dubstep have been pinched and re-twisted into two minute measures…”
This is spleen venting filth with a mean garage grind that ties punk up in white-knuckle knots…
“There’s so much in the sonics and bones of ‘Believe’ that it’s hard to know just where start. It’s frustratingly clever, emphatically catchy, and just so damn easily accessible…”
“It’s as phallic and sex-worn as Beelzebub’s hoof-stick and it’s soaked in a riff heavy glaze. Drag that sound with its glitter and leather and guts right on into the 21st century, and we have something like Midnight Devils…”
“Tin Woodman have gone and resurrected the synthesised camp scifi souls of Midnight Juggernauts, Bondage Fairies and The B52s, and produced this it-thing of a single…”
