”Television’ is puerile and singularly cool. It’s self knowingly silly and raucous. And we’re not talking punk, it’s far cuter than that, with a teen Weezer faux fratboy fuzz…”
90s
“There’s the matured calm and chill of solo Ray Davies, the jangle of late Teenage Fanclub. All the twists and connections explain the not-shy nods in a song packed with Easter-egg aurals…”
“Riding high on the sweet indie kicks of Dolly Mixture, St Etienne and Lucky Soul, Jody and The Jerms take that Cherry Red sugar and produce something slick and endearing…”
“House synths and grease, old skool glitch and beats, baselines that womp like a PS1 soundtrack and neons that cry acid house…”
“Nihilistic, lonely and cute sugared shoegaze? I should have known I’d buy in from the start…”
“It’s brittle, consuming, engulfing, wall-melting. There’s a signature grit-burning sound. And for that, there’s a very good reason…”
“Highlights and pop freak-outs are numerous, we stretch lo-fi indie templates to their sunshine fuzz limits and skirt around 60’s Brit garage…”
Citing Pixies as a reference is dangerous. Yes we recall their scratchy prowess over throwaway stripped surf and […]
“Monsters’ is equal parts subculture cool, passive violence and vintage geek chik.”
“There’s something beautifully crafted, familiar and winsome in the cool debut single from Peplo…”
