“‘Hey Hey’ is hard driven blast of a track that leaks filth out of all of its pours. It’s greasy, psychotic-reaction rock n’ roll that belongs in all eras and ears..”
We’re in the church of repetition where the spray paint on the alter says ‘one good riff is good enough so don’t waste it’.
“If 60’s dirt freakouts and 70’s dum-punk mixed with pure noise might give you a kick, then come in and I think we might click…”
“Discordant pop and proto-punk pleasures, new romantic inflections with post-punk’s detachment, Tired Cossack makes music that’s as charmingly jarring as it neatly steeped in nostalgia…”
The best of submissions, reviewed tracks, the almost-reviewed… and a fistfull of this month’s best music!
“From the opening bars of DIY Fisher-Price lofi post-punk disco, my earballs are alive and alert…”
“Where 2019’s ‘Maladyne Cave’ leant towards progressive folk freakouts and whimsical indie, with bursts of cartoonish aggression, a year later their sound has been hardened…”
“There’s enough cosmic glitter to convince Major Tom to break out his crash landing spandex, and more than enough sunshine buttery smoothness to ease out the bumps on the way…”
“Kopper’s recently released double A-side of ‘Fake It’ and ‘How Can You Be Sure?’ is a hard driven mass of exuberance…”
“We’re four singles in from The Lizards, each release sees a tweak in direction. Their modern-day psyche sound gains weight with each track while they keep their cult throwbacks at core.”