We’re in the church of repetition where the spray paint on the alter says ‘one good riff is good enough so don’t waste it’.
Music Reviews
“Each track is a glut of industrial sounds, each song is a cold future grind. Kallalit makes music that strips EDM of superfluous glamour, and wraps it in gloss gothic shine…”
” The aggression, assertion, the grievance is clear, words are chewed like a Bristol Joe Strummer. Choruses hang like The Jam’s ‘In The City’ while verses hotwire them together….”
“If 60’s dirt freakouts and 70’s dum-punk mixed with pure noise might give you a kick, then come in and I think we might click…”
“There’s a feel of a producer refining, experimenting with light and dark. There’s a curious weave of home schooled flair and knowledge that’s tough to pass by without smiling…”
“In a debut EP that stands eight minutes long, every song cracks its whip at two minutes. That’s enough time to show off the want and the love to pick up on known grind-horror blueprints…”
“The Burial and Crack Cloud-like structure of verses, the ease of the sounds that slide by. There’s a movement and freedom that riffs and reflects on the subjects of not having either…”
“With every single released, we get closer and closer to that scrappy and idiosyncratic alchemy that Brix Smith has always exuded…”
“There’s a newness, a carelessness, a free-wheeling nonchalance, there’s a touch of a proto-punk attitude…”
“Nihilistic, lonely and cute sugared shoegaze? I should have known I’d buy in from the start…”
Rats on the Run 