“Riding high on the sweet indie kicks of Dolly Mixture, St Etienne and Lucky Soul, Jody and The Jerms take that Cherry Red sugar and produce something slick and endearing…”
Pop
“There’s a newness, a carelessness, a free-wheeling nonchalance, there’s a touch of a proto-punk attitude…”
“As the sweetness of Tiny Dyno’s 2020 releases meets The Hideaway’s tastes for anthemics, both bands tease out the best of each other. ‘Soho Bedroom Party’ is a welcome distraction from all reasons not to be cheerful…”
“There’s a gently subdued and ethereal glow to this single that strangely disarms us. It’s softer and smoother than most that’s reviewed here, it asks us to sit in and settle….”
“There’s a self-knowing, solemn and sarcastic charm to the sound she’s remade and created. It’s a pin-prick sharp homage to shoulder-jerk pop with enough dark self-doubt to stay shameless…’
“It’s a dormant pop gem with a bubblegum agro and it’s blissfully short, sharp and raucous.”
“Highlights and pop freak-outs are numerous, we stretch lo-fi indie templates to their sunshine fuzz limits and skirt around 60’s Brit garage…”
“Between A-side highlights and a B-side that flies by, Fake Flowers Never Die is an intriguing slice of deceptively slick new wave indie…”
“This might be my shortest review. Linda Pagnini’s voice. Is fucking incredible”
“There’s enough cosmic glitter to convince Major Tom to break out his crash landing spandex, and more than enough sunshine buttery smoothness to ease out the bumps on the way…”
Rats on the Run 