“There’s so much in the sonics and bones of ‘Believe’ that it’s hard to know just where start. It’s frustratingly clever, emphatically catchy, and just so damn easily accessible…”
Pop
Here be B-movie tones, old school punk n’roll, New York mess, indie gems and a sack full of trouble-sludge sounds.
”Television’ is puerile and singularly cool. It’s self knowingly silly and raucous. And we’re not talking punk, it’s far cuter than that, with a teen Weezer faux fratboy fuzz…”
“It’s ugly and pretty, both frantic and easy, as much aimed at stages with wide open space as it is claustrophobic and acrid. It’s almost a shame to pick through this release to expose all its working internals…”
“This could so easily slip into twee, into over-glossed saccharine and cuteness, but instead there’s a rich seam of warm simple sounds that worm their way into your anvils…”
“It’s florescent, magnetic, it glows. With a 70’s camp glitz and electronic glamour it just seems to seep through the tweeters…”
Dig in and ingest and digest. Here’s this month’s high delights for your pleasure…
“Run’ is a single that hides in itself, that comes across pain free and breezy. It washes, soaks, and soothes over smoothly, it doesn’t strain to command our attention…”
“Riding high on the sweet indie kicks of Dolly Mixture, St Etienne and Lucky Soul, Jody and The Jerms take that Cherry Red sugar and produce something slick and endearing…”
“There’s a newness, a carelessness, a free-wheeling nonchalance, there’s a touch of a proto-punk attitude…”
