With a single that’s let loose today, with shoegaze 90s jangle and a femme Britpop prowess that runs between Sleeper and Lush, it’s my chance to catch up and dig deep…
garage
“Yes it’s a cheap kick, a paper thin throwaway, but that’s by design and for fun. It might not yet be the caliber of ‘Young Loud & Snotty’, ‘L.A.M.F’, or ‘Hate To Say I Told You So’, but it’s a direct and worthy descendant…”
“They teeter on garage, psychobilly, and CBGB’s golden era. They’re a throwback and homage to drive-in monster movies, dimly-lit back-street theatres and the scuzziest Americana…”
“This is no-wave aggression with goth-static feedback and a psychedelic twist of industrial noise…”
“It’s conviction that saves this, again and again, through the only-just-slightly too over-touched sheen of its 80s hair-glam rawk production…”
“We’re four singles in from The Lizards, each release sees a tweak in direction. Their modern-day psyche sound gains weight with each track while they keep their cult throwbacks at core.”
Music from UK, US and NL, to here now and onto your playlists…
“A basement tape dragged from that first wave of britpop, a studio floor off cut that’s just been unearthed, ‘Wait And See’ could be all of those things…”
“Arterial crushing and bubblegum throb. Babydoll fibres and kinderwhore punk. The tenderised splendour of gristle and sinew… It leaks like a slick oil from sweat-sullied pores”
